My plastic work is nourished by esotericism, psychedelism and folklore-induced protocols and rituals, relying on an exploration of the interface between myth and knowledge. 

My practice is dominated by paced, minimalist and radical painting, narrating reclaimed objects and forms in dark, dystopian installations. This way I interrogate the evolution of knowledge and its passing, of its transcription from oral to written speech, by reformulating reality through fiction, like a storyteller emphasizing a present to suggest a possible elsewhere.